#FABFILTER PRO Q2 KICK ASS FREE#

But an EQ is something you use all the time. I donРІР‚в„ўt mind if a saturation plugin or a soft synth gets a bit fiddly РІР‚вЂњ youР’В get things dialed in and then forget about it.

Something I really want to point out here is that I think the workflow is especially important with plugins like EQРІР‚в„ўs, which you use a lot. All the small things like text data entry and mouse wheel integration just work the way theyРІР‚в„ўre supposed to. ItРІР‚в„ўs the small, simple things like these that end up affecting your workflow in a big way over the long haul. Similar rules apply in the high end of the spectrum. And clicking above 30 Hz produces a bell filter.

If you want a low shelf instead,Р’В double click somewhere between 20 and 30 Hz. So if you want to create a quick low cut, simply double click somewhere below 20 Hz in theР’В EQ display and a low cut filter is created and activated. Different kinds of filters areР’В created depending on which part of the plugin display you click on. One example of this is how theyРІР‚в„ўve provided an interesting way of creating new EQ nodes. Tons ofР’В of work and thought has clearly been put in on making the Pro Q 2 as easy and intuitive to use as possible. ItРІР‚в„ўs all carefully considered and the user experience is balanced and uncluttered. Simply packing in the features is clearly not enough for the people at FabFilter though. The FabFilter Pro Q 2 isР’В a very smart plugin in so many ways. IРІР‚в„ўve been eyeing the first version of Pro Q for a long time actually, and now that the Pro Q 2 came out with tons of new features, I finally decided to go for it. So IРІР‚в„ўve been wanting a solid EQ plugin that fills this void once and for all and works on all DAWРІР‚в„ўs that I use. Pro Tools then again has nothing like that РІР‚вЂњ IРІР‚в„ўve been using the Waves H-EQ which isnРІР‚в„ўt bad but the interface feels a bit clunky/slow to me. The channel EQ in Logic 9 (I still havenРІР‚в„ўt upgraded to Logic X) is ok but not great, and keeps freezing out on me. ItРІР‚в„ўs a good EQР’В but I canРІР‚в„ўt use itР’В when IРІР‚в„ўm working in Logic or Pro Tools. IРІР‚в„ўve been using many different plugins for surgical purposes.Р’В The one IРІР‚в„ўve liked using most so far is the EQ8 in Ableton Live 9. For more surgical precision work then, I preferР’В an EQ that gives me exact visual feedback of the filter shapes, and preferably a spectrum display as well.

#FABFILTER PRO Q2 KICK ASS FREE#

My current weapon of choice for that kind of work is the free TDR VOS SlickEQ.

For coloring/tone shaping work I prefer to use an EQР’В with a more classicР’В interface that doesnРІР‚в„ўt give you too much visual feedback, and by doing that forces you to focus on actually listening properly and make decisions based on what you hear.

There are basically two kinds of EQРІР‚в„ўs I like to use depending on the situation. It enablesР’В you to work faster and makes the whole experience more enjoyable.Р”Р„dd to that some groundbreaking, innovative features andР’В you begin to get better and more consistent results too. HoweverР’В if you work on music/audio a lot, there are benefits in finding the tools that are just right for how you want to work. So why spend a good bunch of money on yet another EQ plugin?

Inevitably we must start with a question:Р”Р„ll DAWРІР‚в„ўs these days come with perfectly fine EQРІР‚в„ўs. I am all about sharingР’В information about the stuffР’В I like and use so letРІР‚в„ўs see what the deal is. IРІР‚в„ўve been using it for a few weeks now, and I have to say itРІР‚в„ўs become one of my favorite plugins ever! However as far as plugins come, at 149РІвЂљВ¬ it may seem a bit costly. I recently bought the brand new FabFilter Pro Q 2 EQ plugin.

Fabfilter pro q2 kick ass